acken-winner Svartmálm's first release concert and a visit by the Danish metal-kings Solbrud. A rare opportunity to experience heavy metal in the Faroes' premiére concert hall.
SvartmálmDeep in the north atlantic ocean there is a small group of islands. At the edge of these islands are cliffs overlooking the vast ocean. In the bedrock of these cliffs is a place unseen. In the absence of light, enveloped in darkness, there is a crystalline opaque substance which rises from the blackest core of the earth. This substance is called Svartmálm.Founded in 2016, Faroese quartet Svartmálm has quietly been causing whispers in musical circles with their select performances. Svartmálm creates ceremonial compositions ranging from abject aggression to atmospheric melancholy. Where the slow majesty of doom is combined with the whirlwind stasis of black and the collective groove is interwined with ambient soundscapes. The band was formed as an outlet for emotions and thoughts that the members usually do not get to work with in their other projects. Taking on the guises in Svartmálm and operating under the pseudonyms Deyði (vocals, guitar), Pest (guitar, keys), Hungur (bass) & Kríggj (drums) makes possible a different expression which creates a balance within. Elements of black metal culture are combined with elements of Faroese culture. All lyrics are in Faroese and deal with the examination of darkness both historical and present. The band’s self-titled debut album is to be released on Tutl Records in February 2018. Svartmálm contains three tracks: ‘Deytt Ljós’ and ‘Vík frá mær/Reiðmenn’ on side A and the three-part suite “Svartideyði” on side B. The album was recorded by Theodor Kapnas (Hamferð) at Studio Bloch in Tórshavn, Faroe Islands and mastered by George Nerantzis in Greece. The album artwork is by the artist Elinborg Lützen (1919-1995) and the cover is designed by Uni Árting. The lyrics for “Svartideyði” are based on the poetry collection Tá eg hoyri míni einsligu fótafet millum følnaðu heystbløðini (2014) by the poet, painter and bass player Øssur Johannesen. When performing live, the band is dressed in robes designed by Nordic avantgarde designer Barbara í Gongini. To mark the release of the album, Svartmálm will perform live at home and abroad.“…staggering sonic wrath and grand atmospheric radiances” -Extreme Metal Voyager“The atmosphere created by the band was outstanding, evil and beautiful at the same time” - heavymetal.dk“Aesthetic finesse” -devilution.dk“…spielen in ihrer eigenen Liga.” -Metal Hammer SolbrudFrom the birth of Solbrud (Danish for sun breach) in 2009, the aim has been to forge melodic and evocative compositions in a raw, storm-like expression; a sound generally achieved by coupling unrelenting drumming with chord and harmony based guitar riffs through an array of effects, creating an intense and atmospheric soundscape - or in fewer words: Black metal. The debut ‘Solbrud’ was released in 2012, and in 2014 ‘Jærtegn’ followed. Both albums and the quartet’s emotional and intense live performances have since then consolidated Solbrud as a band with a special, artistic vision unfolding in non-compromising and boundary pushing black metal.Solbrud’s new album ‘Vemod’ draws from the longing, melodic approach, that signifies the debut album, along with the infernal drive and complexity of the sequel. On ‘Vemod’, Solbrud has cultivated their unique approach to songwriting even further and added new elements in both composition and instrumentation. The focus on melody is emphasized and the listener encounters a band which through working with complex arrangements simultaneously challenges and pays respect to the proud traditions of the genre.As the previous album ‘Jærtegn’, ‘Vemod’ is recorded with producer Lasse Ballade (Slægt, Orm, Halshug) in his Ballade Studios in Copenhagen, this time during a freezing January 2017. In addition, the legendary Flemming Rasmussen (Metallica, Morbid Angel, Rainbow) has overseen the mastering in Sweet Silence North, where the album received an old school tape mastering, which only enhances the band’s analogue and organic sound.‘Vemod’ unfolds a pessimistic view on man, its nature and its role in this world. Due to its folly and greediness, mankind is on the verge of destroying itself, and the few who have realised this must necessarily turn their backs to the world, as it has become, and wander their own path - into the great wide open, into themselves, to return to their origins and once again become one with nature and its forces. The few see what lies ahead, they sense the fall and the eternal goodbye. From this ‘vemod’, a sadness emerges due to our destiny, due to the loss, due to the world soon to be dead to mankind. This is not a Fall in the Christian sense, but instead it is the ultimate fall: Man, who betrays himself and his origin, nature and the good that might after all exist within us. The rejection of the world, as it has become, emerges from love of nature that we are derived from, and which we are in the process of destroying. But first, we will destroy ourselves and when mankind has perished, nature and the universe will live on as had we never been here.As the bond with nature is a primary force in the lyrics, so it is in the music of Solbrud. In similarity with nature, its facets are manifold displaying black metal’s broad potential of expression by being both grand, organic, melodic and dissonant, of vivid narration as well as direct and raw. Like an oak takes hundred years to become fully grown, Solbrud takes the time to unfold their tales and in the process, the band creates a transcendental musical condition capable of dissolving the experience of the now. As the few are driven to turn their backs on mass culture in order to gaze inwards, the listener also has to forsake the superficial and the obvious and instead devote herself to a now, that demands complete presence. And when doing so, one is equally rewarded tenfold.Landscapes arise, the horizon stretches and the mind expands, as one is submerged into the music and encompassed by the realisation, which is usually forgotten, chased away and betrayed in haste and mindless pursuit: A knowledge of the forthcoming destruction as well as an reminder bidding us to live in accordance with the forces in and around us….now, while we are still here.